The FORTY NINE Octaves of Sound and Light
The FORTY NINE Octaves of Sound and Light
The 7 Notes of the Octaves of Visible Light and Audible Music
The earth and man—the land, and sea, and sky—are rich and delightful in their infinitude of forms, and sounds, and colors, and motions, while the world of thought and spiritual power is richer than even the outward world.Harmony consists in the equal balance of Unity and Diversity, and this harmony is increased in exquisiteness in proportion to the number of these parts of Unity and Diversity.‒ The Principles of Light and Color by Edwin D Babbitt
Sound is Light at a lower vibration and Light is Sound at
a higher oscillation. This single scientific fact can change our
conception of reality for it becomes evident that all of creation both
physical and manifest, spiritual and unseen is one unity of great beauty
and simplicity.
Quoting from “Spectro-Chrome Metry Encyclopaedia”, Ch. 11 by Dinshah Ghadiali –
“Just as there
are 7 Divisions on the Physical Plane and the Rainbow has 7 Colors, the
Energy known as Sound has 7 notes in Music and the same note recurs on
the eighth key, only it has a higher or lower Pitch according to which
side of the Scale is reckoned. Each complete Scale of Notes is called
“Saptaka” or Septave, meaning the Scale of Seven. Actual measurement
shows that going from the low to the high, each eighth note has a
vibration rate of double the number; thus, each Octave from low to high
has double the vibration frequency in the high as in its neighboring low
and to find the Octave Frequencies means a question of simple
arithmetic …
Fig 17 – Forty Nine Octaves of Sound and Light.
We must first differentiate between what is called Vibration and what is known as Oscillation.
Vibration means a tremor, quake, shake, tremble; Oscillation means a
movement from point to point. In practice, it is safe to state that
Oscillation is Vibration + Transportation. When this brass plate is
struck, the particles constituting the plate tremble, but, the plate
does not move away bodily; that is Vibration of the plate. The Sound
produced by the blow, is owing to the imparting of that Vibration to the
particles of the surrounding air, which transmit it to adjacent layers
till the destination is reached; this transmission is the Oscillation. A
plate struck, vibrates; a pendulum moved, oscillates. That is why I
differentiate between the two words.
The First Octaves – Infra-Sound
Beginning with the First Octave,
we count that as of 2 Oscillations, because, a full Cycle has one move
forward and one move backward, making 2 Oscillations. As our smallest
period of Time is 1 Second, the Standard of Oscillatory Frequencies is 2
Oscillations in 1 Second, making the First Octave. The Second Octave
has 4 Oscillations and the Third Octave has 8. Till now, though there
may be an exertion of Energy, nothing is heard, but, as soon as
the Pitch rises to the Fourth Octave of Oscillatory Frequency, 16
Oscillations are made and a low musical note is heard. The Fourth
Octave, therefore, is called the Octave which produces the Lowest
Audible Note. Below that figure, Energy may exist or be exerted, but,
the human ear does not cognize it.
Seven Octaves of Music – Audible Sound
If you look at
the keyboard of the pianoforte, you will find 88 keys. From a certain
near- middle point, there are 4 Octaves in the Treble and 3 Octaves in
the Bass, embracing a total of 7 Octaves with more keys. The
lowest range of such pianoforte, comes at the Fifth Octave with an
Oscillatory Frequency of 32 per Second. The Great C appears at 64, the
Small C at 128 and the Middle C at 256 Oscillations per Second, on the
Sixth, Seventh and Eighth Octave, respectively. However, the tuning of
the modern pianoforte, just like the white flour of the market, differs
slightly from the theoretical actual and is 261-2/10 Oscillations per
Second for the Middle C; it is the difference between the Conservatory
Pitch and the Concert Pitch. If seems they never follow Nature, but,
must introduce some odd peculiarities to suit notions of “Professors.”
A Tuning Fork
is a good instrument for demonstrating the number of Oscillations in a
musical note; here is one having the 128 and another the 512
Oscillations per Second; strike one prong on a hard surface and hold the
Fork tightly against a board; the hum will be distinctly heard.
Proceeding from
the Middle C, with its theoretical 256 Oscillations per Second on the
Eighth Octave, we land on the last high Octave of the pianoforte, on the
C5 the Twelfth Octave with 4,096 Oscillations in a Second and whose B
note (the last note of its Octave but not on the keyboard,) sounds with
7,680 Oscillations in the same period. That note has a terribly shrill,
piercing character, which no human mouth ever produced.
The Buzz Pitch of Insects
A step further, with the Thirteenth Octave at
8,192 Oscillations a Second, begins the Buzz Pitch of Insects. The
wings of insects oscillate with incredible speed, some buzzing on the
Fourteenth Octave and making 16,384 Oscillations in a Second. As this
point is attained, the appeal to the human ears becomes tense, until
finally, on reaching the next stage, on the Fifteenth Octave at
32,- 768 Oscillations in a Second, the Highest Audible Note is created
and the power of our ears to cognize further such Energy, ceases. Lift
up your right hand to try this experiment; wave the wrist one way and
another; wave it 16,384 times in l Second; well, that is what a little
insect does, which you with all civilization behind you cannot do!Octaves of Ultra-Sound
As
Sound is caused by the disturbance of the atmosphere as a conducting
medium of the Energy, it is evident that the Resistance of the particles
composing the air, will have to be considered in motioning with such
numerical height. Up to the Fifteenth Octave, there is no trouble
noticeable, but, right after, the experimenter’s miseries start. The
atmosphere resents the terrific tremor and as it were, refuses to obey
it to produce the Oscillatory Frequency. The only way to circumvent it
would be to decrease this Resistance, which can be done by making a
partial vacuum and injecting the Energy onto the rarefied gas. Promptly
comes the response. Such rarefied medium may then be motioned up to theNineteenth Octave,
making 524,- 288 Oscillations in 1 Second. The resultant Energy is
still a mode of Sound; it is an Inaudible Rarefied Medium Sound, which
is incapable of appealing to the human ears. However, such Sound as an
Oscillatory Frequency, has a tremendous potency for disintegration of
objects and it is good that outside of certain research laboratories,
its existence or method of production is not generally known. I call it
Ethereal Sound. On the Twentieth Octave, with 1,048,576 Oscillations in a
Second, all Sound, even the inaudible, vanishes and to make more
Oscillations it is vital to change the Medium of Conduction or
Transportation.
Octaves of Plasma and Ether – Hyper-Sound
Thus, we come
from the Gaseous Division to the so-called Ultra-Gaseous. Till now, the
only known Energy produced—Sound—was by the bombardment on Solid, Liquid
or Gaseous matter, the last being the air. At theTwentieth Octave,
the limit of motioning Gaseous Division is reached, even though that
Division be rarefied by partial exhaustion. It becomes necessary now to
utilize a Medium of Transportation of a finer particulation. The
borderland of the Gaseous with the Ultra-Gaseous is between the Twentieth and the Forty-Second Octave,
the latter having 4,398,046,- 511,104 Oscillations in l Second. This
type of Medium of Transportation, on the Physical Plane, represents
practically the inconceivable condition of the inside of a tube
exhausted of all air, so what remains might stand for the residuum of an
inch of air stretched out to two thousand miles or more —we may call it
safely a perfect Physical Vacuum in regard to the spaces between the
particles.
Octaves of Heat
At the Forty-Fifth Octave,
the Oscillatory Frequency increases to 35,184,372,088,832 in a Second
and the sense of Touch tells that a new kind of Energy is born; it is
called Heat; I cognize it as Invisible Light or Dark Light. We commence
here to slide into the Invisible Thermal Spectrum of the Sunlight which
has the Oscillatory Frequencies from the Forty-Sixth to the Forty-Eighth Octave.
Heat evolves at the 45th; the addition of all the numerals, 1 + 2 + 3 +
4+ 5 + 6 + 7 + 8 + 9 is 45; therein lies an occult fact.
The 49th Octave of Visible Light
On the
Forty-Ninth, as the Oscillatory Frequency per Second jumps to the high
mark of 562,949,953,421,- 312, the middle of the Spectrum of Colors has
come into existence, the first Visible Light starting around 318
Trillion Oscillations per Second, with a faint Red Color. While the
range of the ear for hearing is from the Fourth to the Fifteenth Octave,
a span of 11 or 12 Octaves, the eye can sense only 1 Octave—the Forty-Ninth.
As soon as the Fiftieth is reached, with its 1,125,899,906,842,624
Oscillations, the faint Violet of the Spectrum vanishes and for Seven
more Octaves, the potent, but invisible Ultra-Violet Range of Radiations
is entered. Before going further, we shall look into some of the
properties of Oscillatory Frequencies and the conversion of one Energy
into another.
And God said, “Let there be Light …”
In the Bible,
in Genesis, the First Book of Moses, in Chapter 1, verses 3 and 4 is
written, “And God said, Let there be Light and there was Light. And God
saw the Light, that it was good: and God divided the Light from the
darkness.” God spoke to make Light; thus, Sound preceded Light. On the
Oscillatory Frequency principle, this is very correct, because, Sound is
an Energy acting on a lower Scale. The fact of Light appearing on the
Forty-Ninth Octave, explains its Divine origin and relation; God is
represented symbolically by the Circle and only 7 Circles can produce
the Cosmos; the Number 49 is made by 7 X 7 and stands for each
Circle having been traversed 7 times in Cosmogenesis, before Light came
into being, with its Seven Spectral Colors. This beauteous Energy was
preceded by Sound with its Seven Musical Notes, the Number 7 keeping
pace with the Scales of Evolution.”
Self Healing through Resonance
It becomes quite evident that there is no need for suffering or death from dis-ease – except if for karmic reasons the soul has no other means of learning and resolving why such experience was accepted.
Once we “know”
that we are “energy beings” not mortal solids, we become open to receive
free universal life giving energy. It´s who we are. Healing therapies
that can eradicate all disease with sound and light are available to us
all right now. New “free energy” technologies that can liberate us
humans from solid world is but a coordinated effort away. Oil and fossil
fuels are obsolete. As we identify so we magnetise!
The fundamental
problem with orthodox medicine has been to look only through the
microscope of material means to make physical matter healthy.
Similarly, science has made a gross error of believing that energy can
only be created from matter. Rather, the physical body is a product, a
result of its energy field – health is then a question of realigning the
physical etheric field and exposing it to the greater harmonizing free
energy field of a larger sphere or source within and without, of which
it is a part – a source having the same harmonic spectrum but at a
higher octave. This will not only invoke the power of the natural
etheric immune system but will rejuvenate cellular life from its
exposure to what otherwise might be called – the etheric spectrum colours(Yellow-Red-Magenta-Violet-Blue).
Fig 18 – Light and Dark are the Source of all Colour – a Media of Healing
A great mystery of life is revealed in the wonder of Colour.
Light is invisible. It only “appears” when it strikes a surface. The colour we see is the light that is not absorbed by the surface, but is “reflected”. The colours that we see very much depend on our perceptions as “observer” and place in relation to that we are observing.Light and Dark together create all the colours that we see. Both the light of the Sun and the darkness of Space must be combined and integrated in equal measure.
Colour Wheel – Johann Goethe
Light is the primary source for the creation of the colour Yellow, the dominant colour of the Sun. Dark is the primary source for the creation of the colour of Blue, the dominant colour of the dome of the Sky.The combination of these two primary colours, creates Green – the dominant colour of Nature as well as the Green of the heart centre.
Prism of the Dark Spectrum – Johann Goethe
Prism of the Light Spectrum – Johann Goethe
The Octave of Colour forms harmonic chords and “discordant” opposites just as in music. (See www.cosmometry.net for an outstanding presentation.)
Some correspondences of the primary energy functions of the human are:
Red – Liver | Green – Pineal and Pituitary | Violet – Spleen | Lemon – Stomach
Yellow – Nervous System (Ref: Dinshah Spectro Chrome)
Yellow – Nervous System (Ref: Dinshah Spectro Chrome)
Colour and Sound Frequency has been proven to heal ALL viral diseases including cancer. Colour and Sound Frequencies in resonance with the higher harmonics of sacred geometry re-member original
cellular creation. Quite simply harmonic molecular therapy stimulates
regrowth and rejuvenation at cellular levels because it is working from
the higher to the lower energetic octave. It´s our choice. Both Royal
Raymond Rife and Dinshah Ghadiali developed these technologies in the
1930s as a gift for the benefit of mankind. [iii]
“For centuries scientists have devoted untiring effort to discover a means for the relief or cure of human ills and restoration of the normal functions. Yet in neglected light and color there is a potency far beyond that of drugs and serums. Color is the simplest and most accurate therapeutic measure yet developed. I can produce quicker and more accurate results with colors than with any or all other methods combined—and with less strain on the patient.” ‒ Kate Baldwin MD
“A clinical
trial on humans with cancer was conducted in 1934 with dramatic results.
14 of 16 patients with significant malignancies at the La Jolla
California site were “clinically cured” after a regimen of 3 minute Rife
treatments every 3 days for 3 months.” – 1934 MA Report. In fact
within a further month, ALL patients had fully recovered.
(EXTRACT from “Living in Harmony With The Spheres” by Jonathan Eveleigh,
download here: http://www.cocreatorsworld.com/science-of-harmony/
download here: http://www.cocreatorsworld.com/science-of-harmony/
(C) 2014 Creative Commons Copyright, Jonathan Eveleigh. All text may be shared provided all sources are referenced.
- Etheric Light and Electricity, Thomas Joseph Brown: http://www.rainengineering.com/ether/Light&Electricity
- [ii] Goethe, Johann (1810). Theory of Colours. For Goethe, light is “the simplest most undivided most homogenous being that we know. Confronting it is the darkness”(Letter to Jacobi). Light Darkness And Colours – A fascinating Video Journey Through The Universe of Colours
- [iii] Dinshah Ghadiali – Spectro Chrome, Dinshah Health Society, www.dinshahhealth.org
- Royal Raymond Rife – Sonic Therapy, http://www.rense.com/general31/rife.htm
- and watch The Royal Rife Story, www.rifevideos.com
WOO
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